The essay film: problems, definitions, textual commitments.
Rascaroli, Laura 'The Personal Camera' is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms - the diary, the travelogue, the notebook and the self-portrait - is cinema in the first person. Book.
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Laura Rascaroli is senior lecturer in film studies at University College Cork, Ireland. She is the author, in collaboration with Ewa Mazierska, of From Moscow to Madrid: Postmodern Cities, European Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), and Crossing New Europe: Postmodern Travel and the European Road Movie (2006).
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The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms?the diary, the travelogue, the notebook and the self-portrait?is cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into.
Laura Rascaroli is Professor of Film and Screen Media at University College Cork, Ireland. She is the author and editor of several volumes, including The Personal Camera: Subjective Cinema and the Essay Film (2009), Crossing New Europe: Postmodern Travel and the European Road Movie (2006), co-written with Ewa Mazierska, and Antonioni: Centenary Essays (2011), co-edited with John David Rhodes.
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